詹姆斯·卡梅隆的科幻故事（2018）

James Cameron's Story of Science Fiction S01E04

Part 6 May 10, 2021, 12:06 p.m.

They're looking for hope.
-那你呢 -赎罪
- What about you? - Redemption.
费罗莎指挥官是属于乔治的人物
Furiosa is George's character.
乔治说过
That was George saying,
"我要创造一位女性公路勇士的角色
"I'm gonna make a female road warrior,
并且让她成为时代的偶像"
and then she's gonna be an icon of the times."
尽管这是一部《疯狂的麦克斯》电影
Even though it was a Mad Max movie,
但它真的让女性英雄人物
it really allowed this heroine character
崛起并几乎取代了男性英雄角色
to sort of rise up and almost steal the hero role.
比起麦克斯费罗莎是一位更加
Furiosa is a much more compelling hero
引人关注的英雄
than we see with Max.
我们反而更能理解她的背景故事
We understand her backstory a lot better,
安娜李·纽威茨
科技记者作家
《散布改编与记忆
人类如何躲过大灭绝》
更理解她的动机
her motivations.
她必须去保护那些女性
She has to protect these women
她们试图从一位极为残忍♥可怕的奴隶主那里
who are trying to escape
逃脱出来
from a really cruel, terrible slave owner.
还记得我吗
Remember me?
有一个场景是费罗莎受了很重的伤
There comes a time when Furiosa, being very injured --
侧身中刀大量失血
stabbed in the side, losing vast amounts of blood.
然后麦克斯用刀切开了她的血管
And then Max penetrates her with a knife
将自己的血液输给她与她混合在一起
and gives her his blood and mingles it with her.
他在不知不觉之中对她投入了感情
He's now getting invested in spite of himself.
你看到的是男性与女性力量的汇合
You see the male and the female energy coming together,
这非常感人
it was very powerful.
某种程度上说这是他们的爱情场景
And in a way, this is their love scene.
接着他就离开了
And then he leaves.
当你看着费罗莎站在平台上
When you see Furiosa on that platform,
在村庄上空升起的时候
rise above this village,
你意识到这就是《疯狂的麦克斯》的结尾
you realize this might be the first time
那一点点希望
where's there's a little bit of hope
出现的那一幕
at the end of a Mad Max film.
机会出现了这是真正的希望
There's a chance now, a real hope
一种新型社会将由这些女孩们建立
that a new type of society can be formed by these girls,
由费罗莎指挥官和她的伙伴们建立
with the muscle of Furiosa.
如今这些巾帼英雄
These heroic women will now bring forth
将为这个世界带来新的管理体制
a new dispensation to this world.
她们将重塑存在于她们意识形态中的世界
They're gonna remake the world that exists in their ideology.
结果怎样我们不知道
What will happen, we don't know,
但那另当别论
but that's another story.
我们这个社会渴望将我们的噩梦
We as a society hunger for our nightmares
在大小荧幕上被夸大展现
written large on the big screen or - the small screen.
史蒂文·斯皮尔伯格
导演制片人
所以在我看来科幻作品大部分应当来源于此
So it seems to me that's a big part of what science fiction is.
-是的 -但随着我们进入技术时代
- It is. - But as we got into the technological age
以及科学时代我们的恐惧和焦虑
and the science age, our fear and our angst are of
在于这项巨大的人类实验
where this was all going,
将向何处发展
this big human experiment.
我们总是担心这世界将向何处发展
We're always worried about where's the world going and...
而它是否会走向终结
...is this world coming to an end.
-而很多科幻作品都在利用那些恐惧 -的确
- And a lot of science fiction capitalizes on those fears. -Sure.
至少我们能否减缓灾难的发生或延迟它
Can we at least retard the apocalypse and delay it?
发出警告或对某一政策三思而后行
Sound a warning or think twice about a policy.
所有的科幻作品都是警世寓言
All of science fiction are cautionary tales.
最好的科幻作品都是警示寓言
The best science fiction are cautionary tales.
您将看到一场梦魇
What you are about to watch is a nightmare.
《迷离境界》
这不意味着预言它不必发生
It is not meant to be prophetic. It need not happen.
但此地此时它确实发生了
But in this place, in this moment, it does happen.
这就是《迷离境界》
This is the Twilight Zone.
《迷离境界》是在电视上映的
"The Twilight Zone" was the first great
马克·斯科特·齐克里
剧作家作者
《迷离境界》合作伙伴
第一部优秀的科幻作品当之无愧
science fiction show on television. Period.
约翰·利思戈
演员
《阴阳魔界》[电影]
我们都把二十世纪五十年代
I mean, we all think of the 1950s
看作苹果派一样平静
as apple pie placid.
但《阴阳魔界》献出了其阴暗面
But "The Twilight Zone" offered up the dark side of that.
所有人都死了除了我
Everybody's dead except...me.
电影中总有这些大的转折我很喜欢
There were always these great twists, and I just loved that.
简·埃斯佩森
作家联合执行制片人
《太空堡垒卡拉狄加》
我喜欢辛辣的讽刺
I loved the poignant irony of...
他有很多时间可以用在看书上
Oh, he's got all the time in the world with his books,
可不久他弄坏了他的眼镜
and then he breaks his glasses!
这不公平
It's not fair.
在《迷离境界》之前
Before "The Twilight Zone,"
罗德·塞林曾是二十世纪五十年代电视业
Rod Serling was the great mainstream dramatist
伟大的主流剧作家
of 1950s television.
但每当他想谈论社会问题
But he was censored at every turn
种族问题政♥治♥问题
when he wanted to talk about social issues,
他都要受到审查
racial issues, political issues.
我认为不准我们对社会固有的有争议主题
I think it is criminal that we're not permitted
做出戏剧性的说明
to make dramatic note of controversial themes
简直是一种罪行
that are inherent in our society.
这种不满这种挫败感
This dissatisfaction, this frustration
使罗德·塞林创造了一个
led Rod Serling to create a show
他可以谈论这些问题的节目
in which he could talk about the issues,
但以一种审查员和广♥告♥商们不会反对的方式
but in a way that the censor and the advertisers wouldn't object.
马克·道齐亚克
作者
《我需要知道的一切尽在迷离境界》
我们是少数派
We are the minorities!
对我来说反乌托邦故事是一个警告
To me, a dystopian story is a warning.
这是一种方式就好像可以尝试举手示意说
It is a way that you can try to raise its hand and say,
"大家看起来
"Hey, everybody, it seems like
"我们或许要走向这个方向
"We might be going in this direction,
约瑟夫·戈登-莱维特
演员
"但听着如果我们去那里会不太好
"And look, it won't be good if we go there.
所以我们可能想现在就做点什么"
So maybe we wanna do something about it now."
你们都迫不及待想去指责邻居什么
You're all desperate to point some kind of a finger at a neighbor.
相信我朋友唯一会发生的事
Believe me, friends, the only thing that's gonna happen
就是我们将会毁掉彼此
is that we're gonna eat each other up alive!
每当你读到或看到一个反乌托邦故事
Anytime you read or watch a dystopic story,
你会想 "好吧我们现在跳过那个
and you think, "Well, we're past that now.
那不会发生的"
That couldn't happen."
听着我发誓那不是我
Look, I swear it isn't me!
突然间政♥治♥ 当下的各种问题
Suddenly, we're handed a curve ball with politics,
抛给我们了一个曲线球
with issues of the day,
我们意识到我们总是会猝不及防
and we realize we can always be blindsided.
《侍女的故事》
我叫奥芙雷德
My name is Offred.
我还有过一个名字但现在被禁了
I had another name, but it's forbidden now.
很多事物现在都被禁了
So many things are forbidden now.
《侍女的故事》中
In "The Handmaid's Tale,"
我们陷入这个未来的世界
we are plunged into this future world
安娜李·纽威茨
科技记者作者
《散布改编与记忆
人类如何躲过大灭绝》
男人在这里是绝对的统治者
where men are the absolute rulers,
女人则是下层阶级
and women are the underclass.
这是一种非常老套而严谨的政体
This is a very old-fashioned, religious regime.
他们穿着特殊的服装
They have special clothing that they wear.
她们走进超♥市♥
They go into supermarkets
那里没有任何东西标有字母
where nothing is labeled with letters.
这感觉像一个陌生的地方像另一世界
It feels like an alien place. It feels like another world.
然而我们不断得到这些提示
And yet, we get these constant reminders
不这是波士顿
that no, this is Boston.
但这是一个很不同的世界
But it's a very different world.
我觉得我爱上《使女的故事》
I think I fell in love with "The Handmaid's Tale"
是因为奥芙雷德
because of Offred,
布鲁斯·米勒
执行制片
《侍女的故事》
爱上她是如何在这个可怕的环境中
really how she was able to keep up her strength