詹姆斯·卡梅隆的科幻故事（2018）

James Cameron's Story of Science Fiction S01E04

Part 3 May 10, 2021, 12:06 p.m.

this insanity is happening around him
在如此可怕的情况下
and this is, like, absolute dire circumstances,
他仍然保持本心
he still doesn't change who he is.
凯特尼斯快跑
Katniss, go!
离开这快跑你在干什么
Get out of here! Go! What are you doing?!
当娱乐到了如此黑暗的地步
When entertainment turns into this kind of dark spectacle,
盖瑞·罗斯
导演
《饥饿游戏》
它成为了一种压♥迫♥的工具
it can become an instrument of oppression.
以暴♥力♥作为政♥治♥干扰
The idea of violence as political distraction
是由罗马皇帝奥古斯都提出的
comes from Octavian Caesar Augustus,
麦克斯·布鲁克斯
科幻作家
他曾经说过 "给你的人♥民♥面包和马戏
who literally said, "Give the people bread and circuses.
确保他们填饱肚子
Make sure their bellies are full
有东西可看来分散他们的注意力
And they've got something to watch and distract them.
那他们就不会上街抗♥议♥"
Then they're not gonna take to the streets and protest."
我最喜欢的年份之一
Oh, one of my favorite year.
以及我最喜欢的竞技场
And one of my favorite arena.
苏珊·柯林斯在创造这个系列的时候
Suzanne Collins, in the creation of the book series,
她有次看电视转到了伊♥拉♥克♥战争频道
she was flipping channels during one of the wars in Iraq.
弗朗西斯·劳伦斯
导演
《饥饿游戏》系列
都是些嵌入式镜头直播
You know, embedded footage, live.
然后你转几个频道
And then you'd flip a few channels
你就会在音乐电视网上看到
and you'd be on MTV watching one of these,
真人秀节目
you know, reality game shows...
看到孩子们在节目中对擂
and starting to see these kids battling one another,
于是她就把两个想法结合在一起
and then she started to put the two ideas together.
艾丽萨·威尔金森
作家
《灾难生存守则》
《饥饿游戏》的确触及到了
"The Hunger Games" really hits right at the core of things
而今我们所担心的事情的核心
that we worry about today.
真人秀已远非娱乐而已
Reality TV being something that's more cruel
而是变得更加残忍♥ 我们甚至都没有注意到
than it is entertaining. But us not even noticing.
此外监控文化作为控制手段的想法
And the idea of surveillance culture for control
源自乔治·奥威尔的小说《1984》
has its roots in George Orwell's novel "1984."
《1984》
《1984》不论书和电影都很惊艳
"1984" Is a stunning book and film.
自它出版以来
Its vision of the future
它对未来的刻画就被用来描述
has been used to describe the age we live in
彼得·卡帕尔蒂
演员
乔治·奥威尔
《1984》
我们所处的时代
since it was published.
随着法♥西♥斯♥主义的崛起战争科技的进步
With the rise of fascism, the rise of war technology,
科幻作品一夜之间从乐观的未来转变成
suddenly, science fiction shifted from optimistic futures
加里·K·沃尔夫
作者
《伟大的科幻小说作品是怎样炼成的》
无人向往的世界
to futures that nobody wanted to live in.
散布谣言
...spreading the rumor..
奥威尔为媒体时代强化了极权主义
Orwell updated totalitarianism for the media age.
像电视机屏幕和老大哥这样的事物
Things like telescreens and Big Brother show us
向我们展现了监视如何成为技术网的一部分
how surveillance would become part of a technological network.
我们已经看到你们了
Now we can see you!
双手抱头
Clasp your hands behind your heads!
可怕的是他没有坚持建立
What was frightening about it is that he didn't insist
一个全新的世界
on a radically new world.
他说我们用现在所拥有的科技就可以做到
He said, "Look, we can do this with the technology we have now."
这栋房♥子被包围了
The house is surrounded!
科幻从不是用于预测未来的
Science fiction has never been about predicting the future.
而是选择未来
It's about choosing a future.
它关注的是我们现在所处的世界
It's about the world that we're in now
和我们想要去的方向
and what direction we take.
反乌托邦科幻作品
Dystopian science fiction
成长为社会对话的启动平台
grows into a launching pad for social dialogue.
《平克·弗洛伊德迷墙》
《发条橙》
它甚至演变成了真实世界的体验
And even then, it grows into real world experience.
《妙想天开》
泰国方面
We turn to Thailand,
抗♥议♥者受到
where protestors have been inspired
《饥饿游戏》电影的鼓舞
by the "Hunger Games" Movie.
现在三指手势就是起义的标志
A 3-fingered salute is now a symbol of uprising.
《饥饿游戏》讲的是革命吗毫无疑问
Is "The Hunger Games" About revolution? It absolutely is.
苏珊为青年们创造了这些
Suzanne created these stories
关于战争和战争结局的故事
about war and the consequence of war for teenagers
毫无保留
and didn't hold back.
《饥饿游戏》
高校像是最糟糕的反乌托邦之地
High school feels like the worst type of dystopia.
韦罗妮卡·罗思
科幻作家
《分歧者》系列
有人控制着你未来的可能性
Someone else is controlling what's possible for you
告诉你做什么去哪里成为什么样的人
and telling you what to do and where to go and who to be.
但是像《饥饿游戏》和《分歧者》这样的
But in young adult literature like the "Hunger Games"
《分歧者》
青少年文学故事中
and in "Divergent," I think, these are stories
年轻人尤其是年轻女性
in which young people, especially young women,
有手段也有能力去做
have agency and the power to do something
改变当下的事情
about the world around them.
凯特尼斯就是这样一个
Katniss is this great character
简·埃斯佩森
作家联合制片人
《太空堡垒卡拉狄加》
以行之有效的方式战斗的伟大角色
and fights in a plausible way
这就是他们干的好事我们必须反抗
This is what they do, and we must fight back!
《饥饿游戏3 嘲笑鸟（上）》
她拥有在那种社会形态下
She is given skills that allow her to take down a monster
打倒体型远超于她的怪物的能力
in the form of that society, that's so much bigger than her.
《饥饿游戏3 嘲笑鸟（下）》
《饥饿游戏》并没有以一个美女弓箭手夺冠
"The Hunger Games" does not end with a pretty little bow on top
同时世界得到改善的大团圆方式结局
where the world is just a better place and everybody's happy.
波丽死了
Prim is gone!
她死了她不会再回来了出去
She's dead and she's not coming back! Get out!
任何变革都会带来大量伤亡
It takes a lot of casualties and typically a lot of death
和大量痛苦
and a lot of pain to make any kind of change.
活下来的人带着终生创伤
But the people that remain will always be damaged
因为那些伤疤永不愈合
because those scars definitely remain.
我认为人类大脑不适合
I don't think the human mind is mean to exist
《十二猴子》
同时出现在两个不同维度
in two different, uh... dimensions?
这让人非常糊涂分不清♥真♥假
It's very confusing. You don't know what's real and what's not.
但你现在能分清楚了
But you know what's real now.
是的我分得出
Yes, sir, I do.
关于未来的科幻作品中
The darkest thing about
最黑暗的设定就是
the science fiction of the future is the idea
马特·辛格
总编电影评论家
打破银幕
你可能已身处黑暗的未来但却全然不知
that you might be in the dark future already and not know it.
西恩·列侬
音乐家
你依据什么区分
Where do you draw the line
现实记忆和梦境
between reality and memory and dreams?
《盗梦空间》
所有反乌托邦科幻小说
And I think the fundamental message
所传达的基本理念就是
of every dystopic sci-fi novel is,
《移魂都市》
你生活在一个反乌托邦世界
you're living in a dystopic world
《极度空间》
问题只是你有没有意识到这点罢了
and you either see it or you don't.
你会很难
Now this is gonna be very difficult
《全面回忆》
-接受这个奎德先生 -我听着呢
- for you to accept, Mr. Quaid. - I'm listening.
我恐怕你实际上并没有站在这里
I'm afraid you're not really standing here right now.
医生你可能骗得了我
You know, Doc, you could have fooled me.
《全面回忆》改编自一篇
"Total Recall" was adapted from a short story
名为《我们可把记忆批发给你》的短篇小说
called "We Can Remember It for You Wholesale"
作者是菲利浦·K·狄克
by Philip K. Dick.
他是那个时代最出色
And he was the most outstanding, surreal,
强纳森·列瑟
作家编辑
《菲利浦·K·狄克精选集》
最超现实而讽刺的科幻小说作家
satirical science fiction writer of the age.
人们总说要铭记过去的生活
People claim to remember past lives.
我说要牢记一种大相径庭的现在的生活
I claim to remember a different, very different present life.
菲利浦·K·狄克
《高堡奇人》