剧集 | 金属进化:重金属音乐发展史(2011) | 导航列表
WEARING A SAXON EUROPEAN TOUR SHIRT.
洛杉矶当时没人知道撒克逊是谁。
NOW, NOBODY IN L.A. AT THAT POINT KNEW WHO SAXON WAS.
所以,我跑过去找那个孩子
SO, I RAN UP TO THE KID
他说,“你从哪里弄到那件T恤的?”
AND SAID, "WHERE'D YOU GET THAT T-SHIRT?"
他说,“哦,我刚从欧洲搬过来。
HE SAID, "OH, I JUST MOVED HERE FROM EUROPE.
我喜欢这个场景。“
I'M INTO THIS SCENE."
我说,“哦,天哪,我也喜欢这个场景。”
I SAID, "OH, MY GOD, I'M INTO THIS SCENE, TOO."
布莱恩是一个正在成长中的大亨,
BRIAN WAS A MOGUL IN THE MAKING,
他想做一张汇编记录
AND HE WANTED TO MAKE A COMPILATION RECORD
洛杉矶当地较重的乐队,我和赫特菲尔德开车过来
OF THE HEAVIER LOCAL L.A. BANDS, AND ME AND HETFIELD DROVE UP
用我们的小[BLEEP]FOSTEX盒式磁带,
WITH OUR LITTLE [BLEEP] FOSTEX CASSETTE TAPE,
他做得很好,布莱恩,就像,没有呕吐
AND HE DID A GOOD JOB, BRIAN, OF, LIKE, NOT VOMITING
当他听到
AS HE WAS HEARING
我们录制的非常糟糕的版本“撞上灯。”
OUR REALLY BADLY RECORDED VERSION OF "HIT THE LIGHTS."
“点灯”最终以“熄灯”告终
AND "HIT THE LIGHTS" ENDED UP
在第一张“金属屠♥杀♥”专辑中,
ON THE FIRST "METAL MASSACRE" ALBUM,
即使多了一个“T”
EVEN IF THERE WAS ONE ADDITIONAL "T"
在“Metallica”的拼写中
IN THE SPELLING OF "METALLICA."
在某种程度上,Metallica就是这样起步的。
THAT WAS SORT OF HOW METALLICA GOT ITS START WAY BACK.
**好好玩**
* PLAY NICE *
**玩NI-I-CE**
* PLAY NI-I-I-I-CE *
邓恩:Metallica的歌♥曲“Hit the Lighters”
Dunn: THE METALLICA SONG "HIT THE LIGHTS"
关于金属大屠♥杀♥编撰的几点思考
ON THE METAL MASSACRE COMPILATION
标志着敲打金属的开始,
MARKED THE BEGINNING OF THRASH METAL,
但在80年代初,
BUT IN THE EARLY '80s,
洛杉矶以一种完全不同风格的金属而闻名--
L.A. WAS KNOWN FOR A TOTALLY DIFFERENT STYLE OF METAL --
魅力金属。
GLAM METAL.
那么,这两种金属是如何共存的呢?
SO, HOW DID THESE TWO STYLES OF METAL CO-EXIST?
你一定是在一个角落或另一个角落。
YOU HAD TO BE IN ONE CORNER OR THE OTHER.
你要么属于魅力金属类,
YOU'RE EITHER IN THE GLAM METAL CATEGORY,
或者你属于较重的那一类。
OR YOU'RE IN THE HEAVIER CATEGORY.
较重的类别只是变得越来越重。
THE HEAVIER CATEGORY JUST KIND OF GOT HEAVIER AND HEAVIER.
你有金属和预兆,还有,你知道的,婊♥子♥。
YOU HAD METALLICA AND OMEN AND, YOU KNOW, BITCH.
嗯。在那之后,“杀手”出现了。
YEAH. AND THEN SLAYER CAME ALONG AFTER THAT.
金:头发和金属带的方式
King: THE WAY THE HAIR METAL BANDS
对我们来说是陌生的。
PRESENTED THEMSELVES WAS ALIEN TO US.
我们想成为反RATT,反毒药。
WE WANTED TO BE THE ANTI-RATT, THE ANTI-POISON.
邓恩:我也听过一个有趣的故事,
Dunn: FUNNY STORY I'VE HEARD, TOO,
你们确实化了点妆。
IS THAT YOU GUYS DID WEAR A LITTLE BIT OF MAKEUP.
是的,我们做到了。
YEAH, WE DID.
但是你知道这是在洛杉矶的一部分。
BUT, YOU KNOW, THAT'S PART OF BEING IN L.A.
你得化妆。
YOU GOT TO WEAR MAKEUP OF SOME SORT.
我们不想这样表现自己。
WE DIDN'T WANT TO PRESENT OURSELVES LIKE THAT.
所以,我们说,“好了,眼线笔,恶魔们。”
SO, WE SAID, "ALL RIGHT, EYELINER, DEMONS."
不一定是爱丽丝·库珀
NOT NECESSARILY ALICE COOPER,
但与洛杉矶发生的事情截然相反的是。
BUT THE ANTITHESIS OF WHAT WAS HAPPENING IN L.A.
是的,杀手化妆了,好的,
YEAH, SLAYER WORE MAKEUP, OKAY,
但是,我是说,我们刚涂了黑色眼线,
BUT, I MEAN, WE JUST WORE BLACK EYELINER,
我们当时所做的就是模仿奥兹
WHICH WHAT WE WERE DOING IS COPYING OZZY AT THE TIME
因为它看起来很邪恶。
'CAUSE IT LOOKED EVIL.
但那之后不久
BUT IT WASN'T LONG AFTER THAT
我们确信我们不需要它。
THAT WE WERE CONVINCED THAT WE DIDN'T NEED THAT.
邓恩:在民间传说中,它暗示有
Dunn: IN THE FOLKLORE, IT'S SUGGESTED THAT THERE WAS
头发和抽打金属阵营之间有很多敌意。
A LOT OF ANIMOSITY BETWEEN HAIR AND THRASH METAL CAMPS.
这是真的吗?那不是--那不是民间传说。
IS THAT TRUE? THAT'S NOT -- THAT'S NOT FOLKLORE.
那是真的,因为发带代表魅力。
THAT'S REAL BECAUSE THE HAIR BANDS STOOD FOR GLAM.
我是说,我看起来就像
I MEAN, I LOOK AT IT LIKE
魅力是骆驼蛋蛋上的跳蚤,
GLAM IS THE FLEAS ON THE CAMEL'S BALLS,
而Strash就像是一枚跳蚤炸♥弹♥。
AND THRASH WAS KIND OF LIKE A FLEA BOMB.
Motley Crue,RATT,Stealer,等等
MOTLEY CRUE, RATT, STEALER, SO ON,
他们在某种程度上代表了我们所反对的一切。
THEY SORT OF REPRESENTED EVERYTHING THAT WE WERE AGAINST.
他们就像夕阳地带的国王。
THEY WERE LIKE THE KINGS OF THE SUNSET STRIP.
想要强行进入整个系统并不容易。
IT WAS NOT EASY TRYING TO FORCE OUR WAY INTO THAT WHOLE SETUP.
那是非常寂寞的。[笑]
IT WAS VERY LONELY. [ LAUGHS ]
我可以告诉你,它非常寂寞
I CAN TELL YOU, IT WAS VERY LONELY
在1982年成为洛杉矶的Metallica。
TO BE METALLICA IN L.A. IN 1982.
没有太多的爱
THERE WAS NOT A LOT OF LOVE
我们正在做的这类事情。
FOR THE TYPE OF THING THAT WE WERE DOING.
所以,我们开始在旧金山演出一些节目
AND SO, WE STARTED PLAYING SOME SHOWS UP IN SAN FRANCISCO
每隔三、四周,
EVERY THREE, FOUR WEEKS,
很快,事情就开始发生了。
AND INSTANTLY, THINGS STARTED HAPPENING.
我们有一个追随者,所以我们打包了我们的[BLEEP]
WE GOT A FOLLOWING, SO WE PACKED UP OUR [BLEEP]
完成了我们的日常工作,
AND FINISHED OUR DAY JOBS,
我们一直呆在旧金山
AND WE WERE IN SAN FRANCISCO PERMANENTLY
从1983年2月初开始。
FROM EARLY FEBRUARY OF 1983.
你所有的观众都有相同的反应吗?
DO ALL YOUR AUDIENCES REACT THE SAME
在不同的地方玩吗?
IN THE DIFFERENT PLACES YOU PLAY?
在旧金山他们好多了。
UP IN SAN FRANCISCO, THEY'RE A LOT BETTER.
好多了。
A LOT BETTER.
洛杉矶有[BLEEP]烂透了。
THERE'S [BLEEP] IN L.A. SUCKS.
洛杉矶烂透了。一,二,三--
L.A. SUCKS. ONE, TWO, THREE --
所有人:洛杉矶太烂了!
All: L.A. SUCKS!
[金属音乐演奏]
[ METAL MUSIC PLAYING ]
邓恩:一个小小的地下金属场景正在发展。
Dunn: A SMALL, UNDERGROUND METAL SCENE WAS DEVELOPING
在80年代早期的旧金山湾区,
IN THE BAY AREA DURING THE EARLY '80s,
但直到1983年Metallica来到这里
BUT IT WASN'T UNTIL METALLICA ARRIVED IN 1983
那鞭打开始爆♥炸♥了。
THAT THRASH STARTED TO EXPLODE.
奥塞圭达:我记得,我们都去看了
Osegueda: I REMEMBER, WE ALL WENT TO SEE
这个叫Metallica的乐队在Keystone Berkeley演出。
THIS BAND, METALLICA, PLAY AT THE KEYSTONE BERKELEY.
然后我们走了进来,我只是(急促地呼出一口气)
AND WE WALKED IN, AND I JUST [EXHALES SHARPLY]
我这辈子从没见过这样的能量。
NEVER SAW ENERGY LIKE THAT IN MY LIFE.
我只是.就像人群甚至把我绊倒了。它吓到我了。
I JUST -- LIKE, THE CROWD EVEN TRIPPED ME OUT. IT SCARED ME.
那只是涡轮增压的音乐。
IT WAS JUST TURBOCHARGED MUSIC.
它比朋克或金属重得多
IT WAS SO MUCH HEAVIER THAN PUNK OR METAL
我们听说放在一起的。
THAT WE'D HEARD PUT TOGETHER.
旧金山非常喜欢这种沉重的音乐,
SAN FRANCISCO WAS SO EMBRACING OF THIS HEAVY MUSIC,
而Metallica觉得接受
AND METALLICA FELT THAT ACCEPTANCE
从这群饥饿的金属头目中脱颖而出
FROM THIS CROWD OF HUNGRY METALHEADS UP HERE
并没有真正受到影响
THAT WEREN'T REALLY AFFECTED
当时在洛杉矶发生的事。
BY WHAT WAS HAPPENING IN L.A. AT THE TIME.
霍尔特:湾区的人们,你知道--
Holt: PEOPLE IN THE BAY AREA, YOU KNOW --
我们第一次玩“杀手”的时候
THE FIRST TIME WE PLAYED WITH SLAYER,
他们画了眼线。
THEY HAD THE EYELINER.
那个[BLEEP]不得不去只是为了和《出埃及记》上演一场戏
THAT [BLEEP] HAD TO GO JUST TO PLAY A SHOW WITH EXODUS
因为我们的粉丝不会容忍♥的。
'CAUSE OUR FANS WERE NOT GONNA STAND FOR IT.
他们很喜欢“杀手”,但他们就像,
THEY LOVED SLAYER, BUT THEY WERE, LIKE,
“你不能在出走秀上化妆。”
"YOU CAN'T WEAR MAKEUP AT AN EXODUS SHOW."
上面就是一个完全不同的宇宙。
IT WAS JUST A WHOLE DIFFERENT UNIVERSE UP THERE.
我是说这是一种完全不同的感觉。
I MEAN, IT WAS A WHOLE DIFFERENT VIBE.
有激♥情♥。
THERE WAS PASSION.
孩子们就像我们一样。
THE KIDS WERE LIKE US.
他们只是穿着皮夹克和牛仔夹克的孩子。
THEY WERE JUST KIDS IN LEATHER AND DENIM JACKETS.
我们一下子就融入了,我们感觉.就像在家里一样。
WE JUST INSTANTLY FIT IN, AND WE FELT SO...AT HOME.
就像有美国乐队的一小群狗,
IT WAS LIKE SMALL PACK OF DOGS WITH ALL OF US BANDS,
比如“禁忌”、“出埃及记”、“死亡天使”、“遗嘱”。
LIKE FORBIDDEN, EXODUS, AND DEATH ANGEL, TESTAMENT.
有20个金属乐队所以它就像一群疯狗。
THERE WAS 20 METAL BANDS, SO IT WAS LIKE A PACK OF RABID DOGS.
我们都参加了同样的派对,参加了同样的演出
AND WE WERE ALL AT THE SAME PARTIES AND SAME SHOWS
谈论着同样的事情。
AND TALKED ABOUT THE SAME THINGS.
Osegueda:Ruthie‘s Inn成了人们去的圣地,
Osegueda: RUTHIE'S INN BECAME THIS MECCA FOR PEOPLE TO GO TO,
不管在演什么。
NO MATTER WHAT WAS PLAYING.
不管是朋克还是金属。
WHETHER IT WAS PUNK, METAL.
任何一个晚上都会挤满了瘾君子和朋克的孩子。
ANY NIGHT, IT'D BE CHOCK FULL OF METALHEADS AND KIDS IN PUNK.
这个小地方成了这两种流派的结合点。
AND THIS LITTLE PLACE BECAME THE MARRIAGE OF THE TWO GENRES.
霍特:我想旧金山湾区唯一不够了解的就是
Holt: I THINK THE ONE THING THE BAY AREA DOESN'T GET ENOUGH OF
实际上是对他的认可
IS RECOGNITION FOR ACTUALLY
是美国第一个跨界地区,而不是纽约。
BEING THE FIRST CROSSOVER REGION IN AMERICA, NOT NEW YORK.
如果你回过头来看看露丝的一些老旅店传♥单♥,
IF YOU LOOK BACK AT SOME OF THE OLD RUTHIE'S INN FLYERS,
一直都有,就像,
THERE WAS CONSTANTLY, LIKE,
金属乐队和朋克摇滚小伙一起演奏。
METAL BANDS PLAYING WITH PUNK-ROCK GUYS.
我们一度是一人一组,
WE WERE ON ONE AT ONE TIME,
他称它为“一个跨文化的活动”。[笑]
剧集 | 金属进化:重金属音乐发展史(2011) | 导航列表