漫威616（2020）

Marvel's 616 S01E07

Part 2 July 14, 2021, 5:32 p.m.

of what he wanted in the comic.
皮特的反应担忧
画家会根据描述勾勒出整个画面
And then the artist would lay out the whole page
于是整个故事在画纸上徐徐展现
and come up with the way the whole story unfolds.
接着斯坦将漫画取回在上面加上对话
And then Stan would get the art back and add all the dialogue.
这就是漫威的创作模式
And that all became the Marvel Style of writing.
漫威模式
The Marvel Method.
《超凡蜘蛛侠》
如今人们不怎么使用漫威模式进行创作了
Nowadays, Marvel Method isn't really used at all.
大家都会写下完整的脚本
Everyone goes full scripts.
我这人很念旧是现今
I'm one of the dinosaurs. I'm one of the people,
仍然使用漫威模式进行创作的人之一
one of the last people, doing Marvel Style.
我希望创作者们能乐在其中
I want the creators to have fun.
希望他们能
I want the creators to
加入进来给大家创造出惊喜
jump in and give you these gifts on the page.
由故事的一个大致想法
You're gonna have an idea for a story,
经过其他编辑画家
but it's always gonna play out a little differently
处理渲染后
as your co-creator, your artist,
会有不同的表现
starts to play with the idea.
通常一部漫画作品的
Normally in a comic book,
漫画部分会有多名人员参与
you have multiple people working on the art.
草图分镜师用铅笔勾勒出整个底稿
You have a penciller, who lays out the whole book.
再由勾线师用墨水加以描画
And then you have an inker, who comes in and embellishes it.
最后由上色师上色
And then the colorist comes in and adds all the color.
但《钢铁侠2020》的画家是皮特·伍兹
But our artist for Iron Man 2020 is Pete Woods.
区别于他人的是
And what makes Pete Woods different
整个流程由皮特·伍兹一人完成
is Pete Woods does everything!
草图分镜师
Pete Woods is the penciller
勾线师上色师三位一体
and the inker and the colorist, all in one!
都是在他那辆周游全国的房♥车里完成
In his van driving around the country.
加利福尼亚州马里布
作家和画家们生活在世界各地
These days, our writers and artists live all across the globe.
不同时区不同地区
People in every time zone and every place around the world
为漫威漫画共同创作着
are working on Marvel comics and Marvel stories.
随时随地
All the time, I hope.
反正他们是这样说的我姑且相信
That's what they tell me they're doing. I choose to believe them.
斯坦所在的60年代
In the days of Stan in the '60s, even if you weren't working
就算不是在最耀眼的漫威总部上班
in the mythical Marvel Bullpen of the office,
也需要是曼哈顿本地人才能进入公♥司♥
you had to be local to Manhattan in order to bring your work in,
但现在的"总部"变成了全世界
but the Bullpen these days is the world.
钢铁侠2020时代我们需要一位新画家加入
Moving into Iron Man 2020, we had to bring a new artist in.
于是请来了皮特·伍兹
So, we tapped Pete Woods.
距离发行还有10周
随便说出一个漫画角色
If there's a character out there in the comic book universe,
我可能都画过不止一次
I've probably drawn him at least once.
随着科技的进步
With the technology we have available,
我可以随时随地进行创作
I can draw wherever I need to draw.
机缘巧合
The opportunity presented itself,
我决定买♥♥辆房♥车游遍全国各地
so I decided to just buy an RV and move around the country.
线条及色彩是我与他人交流的方式
I communicate in pencil and ink and colors.
创作的过程使我沉醉其中
It's my favorite part of the process.
看见自己想象中的
It's great finally seeing a fully realized page
皮特·伍兹
《钢铁侠2020》画家
人物情感及冲击画面跃然纸上的感觉很棒
that has the emotion and the impact that I've imagined it would.
有些画家不愿意承担讲述故事的重任
Some artists prefer not to have the weight of telling the story.
而我却喜欢参与的感觉
But I like to have some stake in the storytelling.
封面部分我想来点炸裂的效果
For the first cover, I wanted to do something that pops.
汤姆想要一个
Tom had an idea that he wanted to
突出角色个性的封面
do a more character-focused cover.
我会在丹确定每一格漫画细节之前
So, I'll noodle around with some character ideas
随便勾勒几笔
while I wait for a panel-by-panel breakdown from Dan.
我的任务之一是
One of the things I have to do is I have to make sure
确保所有漫画合在一起时
that when all these comics stitch together,
呈现出的效果是炸裂的
it tells one big epic story. Bah, bah, bah.
每一章都要做到精彩
Every individual chapter needs to be great.
引人入胜
It needs to be edge of your seat.
人们会想"之后会发生什么呢"
"What's gonna happen next? Whoo!"
但当你看到整个画面时不禁思考
But when you get to the whole big picture,
这里要讲述的深刻故事是什么呢
what's the bigger story we're telling?
我有个疯狂的想法
And I've got some crazy ideas.
去了解所有角色
I need to know all these different characters
以及他们在他们的世界里做些什么
and what they're doing in their worlds.
钢铁侠2020
莉莉·威廉姆斯钢铁之心有她自己的故事
Riri Williams, Iron Heart, is gonna get her own adventure.
钢铁之心
机械侠
机械侠重要角色
Machine Man, who is a key character,
整个故事种起关键作用
he's crucial to the main story.
对了夏皮罗博士也是关键人物
Ooh. Dr. Shapiro is too.
夏皮罗博士
一切从哪里开始我们又该从哪里开始
Where does it all start? Where do we start?
亚伦也出场有段时间了
So, Arno's been around for a while.
亚伦
他在做些什么为什么想成为钢铁侠
What's he been doing? Why does he wanna be Iron Man?
钢铁侠
这身行头背后的重点是机甲马克
But the real brains behind the outfit is Mark.
马克
难道说一切都是机械侠在背后操控
Wouldn't say Machine Man is running this whole operation.
亚伦·史塔克
乔卡斯塔
还有机械匠人
There's also Machinesmith.
*反派人物塞缪尔·撒克逊自称
他会不会说出"不我不能帮钢铁侠"这种话
If it blows up and now, "Oh, no. I can't help Iron Man."
嘭
这是不可能发生的事但也说不定
Not that's going to happen. But it could.
我想我们能完成
I think we could pull this off.
我的每个点子
But every idea that I've put in the plot
都需要皮特·伍兹淘神费力去完成
is going to be painstaking labor
因为他需要把这一切呈现出来
from Pete Woods as he has to make it all reality.
第一页第一格
Page 1, panel 1:
从亚伦·史塔克不断重复地梦境开始
We open on Arno Stark's recurring dream.
渺小的他什么都没穿在太空中漂浮
He's a small naked figure floating in space above the Earth,
只有他挡在
the only thing standing in the way
我们的星球和一个势不可挡巨物之间
between our planet and an unstoppable colossal creature,
这巨物比地球本身还要大
something larger than the Earth itself...
一种巨大可怕的生物
There's this huge terrifying creature
有机物与机器共同构成
that's half organic and half machine.
这个生物的形象宏伟壮丽令人有压♥迫♥感
This creature is huge. It's gigantic and it's imposing.
为了让人对其大小能有直观的感受
So I wanna have it break the borders of the page
我会将其画出画框
and really give an impression of size.
我喜欢漫威模式能让我肆意创作令人兴奋
I like the Marvel Method because it's liberating. It's exciting.
画家和作家之间的合作会更加密切
As the writer and the artist, we work together more in tandem...
让我有机会编故事
and that gives me a chance to choreograph things
更多的参与进去
and have a little more input into a story...
或许我也能加点儿小花样进去
and maybe give my own little twist on it.
人们对角色总是有各种期望
People have expectations for character creation.
我想尽量满足那些期望
And I wanted to meet those expectations,
但同时
but I also didn't wanna
也不想创造出似曾相识的角色
make it look like something we'd seen before.
有时候我赶不上进度了
But sometimes, when I'm behind schedule,
一个紧凑的脚本可以让我快速完成任务
a nice tight script lets me get things done quickly.
对于画家来说漫威模式无疑会加大工作量
The Marvel Method definitely can be more work for the artist
因为画家也在帮助编写故事
as they're helping write the story.
好了
All right.
坦白说斯坦使用漫威模式的初衷是因为
The reason Stan started doing the Marvel Method, quite frankly,
当时写完整脚本的时间不够了
is he didn't really have time to write those full scripts.
这就是我要找的
This is what I was looking for.
因此他选择依仗他的画家们
And so, he was leaning very heavily on his artists
分配更繁重的工作给他们
to do a lot of the heavy
一起共同完成
lifting of figuring out all of the incident.
他们同斯坦一样是作家般的存在
They were as much the writer as Stan was.
20世纪60年代有一件轶事
There's a classic story in the 1960s.
斯坦·李与杰克·科比
斯坦和杰克见面讨论
Stan and Jack Kirby met to
下一部神奇四侠
talk about their next Fantastic Four story.
神奇四侠
当杰克寄来第一♥期♥杂♥志♥时
And when Jack sends the first issue in,
斯坦看了一下突然看到
Stan goes through it, and suddenly there's this page
这家伙站在冲浪板上飞跃太空的这一页
where there's this guy on a surfboard flying through space.